Thursday, 24 October 2013
Young Local Poets. Very Young Local Poets
Working
with three local primary schools to encourage ten year-olds to appreciate and
write their own poetry has been something that Headingley LitFest has been
working on since our main programme in March 2013. Using the skills of acclaimed local writer James Nash, and
working with some friends from Older Wiser Local Seniors (OWLS), James has
worked in Weetwood, Shire Oak and Spring Bank schools over the past few months.
Using a
range of stimulus material, he has managed to get around 100 local youngsters
to find their inner poet. As one
young girl from Weetwood said, “They were fabulous sessions, and I enjoyed
every second! And a young lad also
commented, “I particularly liked the way we got inspiration from the book and
the two pictures. I think that the
event would be better if it was longer but the rest was brilliant!
James
himself comments, “Working at
Shire Oak school, and writing poetry based on sporting and physical activity,
showed me that with the great support of staff and OWLS, and fitting into
current curriculum projects of a school, we can enhance the writing abilities
of all pupils and make writing relevant and fun for everybody.”
After funding from the Arts Council enabled us to develop our poetry work with local primary schools, it is now thanks to support from local councillors through the Area Management committee, Leeds City Council community funding and Wade’s charity, we have funding to be able to continue this work over the coming months and beyond our 2014 LitFest, themed ‘Surviving’. Watch this space.
Friday, 27 September 2013
Robert Barnard 1936 - 2013
Winner of the Crime Writers' Association 2003 Cartier Diamond Dagger Award |
Guardian Obituary
Yorkshire Post Obituary
Telegraph Obituary
New York Times Obituary
Independent Obituary
Black Mask Obituary
Crime writer Martin Edwards remembers
Thursday, 12 September 2013
Wounded by Emily Mayhew
Richard Wilcocks writes
Wounded is a homage to the heroic men and women who cared for the wounded in the Great War, described by her as “an undiscovered, somehow silenced group”. Using a remarkable collection of letters and diaries, and rooted in wide reading and original research, Emily Mayhew has produced a startlingly vivid and engaging account of the way the wounded (almost every other British soldier could expect to become a casualty) were rescued, treated and cared for by bearers, Regimental Medical Officers, surgeons, nurses, VADs, orderlies, chaplains, ambulance drivers and others during a conflagration which was sparked by a symbolic act of terrorism in Sarajevo, rolled on like a mad machine for four years, and which led to the crumbling away of empires and the destruction of countless lives. A modern conflict.
The military medical services hardly knew
what had hit them at first, just like the British Expeditionary Force itself,
which was nearly wiped out at Mons and the Marne in 1914. Veteran nurses and
doctors were at the front at that time, possibly with
Boer War experience, but dealing with ghastly shrapnel wounds on a large scale
was very different to dealing with relatively straightforward bullet holes on
the warm, dry South African veldt. In Flanders, the fields tended to be wet and
heavily manured, and most of the tetanus and gas gangrene cases which resulted from just slight scratches as well as mangled limbs were destined to die horribly. The
up-to-date cylindro-conical bullets were fast, hit hard and took tiny fragments of dirty
uniform and other contaminants deep into bodies. The medics learned as fast as
they could, and coped with almost impossible situations over and over again, a
fact made clear through a collection of true stories about the ones who were there.
Wounded is a homage to the heroic men and women who cared for the wounded in the Great War, described by her as “an undiscovered, somehow silenced group”. Using a remarkable collection of letters and diaries, and rooted in wide reading and original research, Emily Mayhew has produced a startlingly vivid and engaging account of the way the wounded (almost every other British soldier could expect to become a casualty) were rescued, treated and cared for by bearers, Regimental Medical Officers, surgeons, nurses, VADs, orderlies, chaplains, ambulance drivers and others during a conflagration which was sparked by a symbolic act of terrorism in Sarajevo, rolled on like a mad machine for four years, and which led to the crumbling away of empires and the destruction of countless lives. A modern conflict.
Take the story of Regimental Medical
Officer William Kelsey Fry of the Royal Welch Fusiliers, who, after heavy
losses taking a small town from the Germans, went out onto the battlefield
himself to retrieve casualties.
“Time after time he cleaned the mud off his glasses, braced himself and
joined the fighting soldiers, oblivious to all but the cries of the man he was
trying to find in the middle of the chaos. When he found him, Kelsey Fry
hoisted him up onto his back and ran as fast as he could. During one of these
trips, he was shot in both legs. The wounds weren’t serious, but he was lucky
to make it back to the medical post with his patient.” It was his duty to look
after the water supply as well, making sure it was fresh, and supervised the
digging of latrines. His reputation for unflappability and efficiency caused
the upper ranks of the Royal Army Medical Corps to offer him a promotion away
from the dirt and gunfire of the front line, but he preferred to stay. During a
battle in 1916 he had so little time that a proper medical post could not be
set up, so with his bearers he dug a hole as deep as time and the enemy would
allow and put a tarpaulin over it, “It filled with casualties almost
immediately, like rain collecting in a puddle. As in every aid post on the line,
they worked so hard that they stopped hearing the shellfire and didn’t notice
as it crept closer and closer…” Siegfried Sassoon, who knew him well, was one of many who was shocked when he heard of his death.
Or the story of surgeon Norman Pritchard,
who found himself responsible for
a ward of recently captured German prisoners. “When Pritchard first set
eyes on them, in their special ward, he almost turned round and walked out
again. The POWs were in a dreadful state. Most had been hiding for days, lying
in abandoned trenches and shell holes, hoping that their side would retake the
ground. They were fetid with infections and starved, many of them on the brink
of death. It was difficult to know where to start. Pritchard had no German, and
so a kind, firm tone would have to do…”
Or the story of Nurse Winifred Kenyon, who
“never considered going anywhere else but a casualty clearing station. She
wanted to be as close to the war as possible, to share in the adventure and
excitement and to make her contribution”… “Perhaps the most unexpected thing
Kenyon learned inside the ward tents was how much was left up to the nurses
themselves. There were several wards that they ran without doctors, and they
taught their new skills to the new arrivals like Kenyon. ‘Resus’ was one of
them. The men were too weak to raise their heads, let alone be operated on, and
it was the nurses who brought them back from the brink. Kenyon learned to
administer the magic mixtures of hot saline, brandy and coffee, and that you
could never have too many hot water bottles. Sometimes you put ten or twelve
around a man close to death from hypothermia and gradually watched him come
back to life. Men came in grey and went back pink.”
Or the story of Nurse Morgan, whose home
was the No 3 Ambulance Train, 300 yards long, with a supposed maximum capacity
of 440 and equipped with iron stands and straps where cots or stretchers were
hung. “During the Somme offensive the pushload of 440 or more became the norm,
as No 3 struggled to keep up. Carefully planned entraining and detraining
routines simply went to pieces in the face of the sheer numbers of casualties
at the railheads, and within a week of the Somme the whole system of transit
simply broke down”… “Morgan tried to calm her patients, while all around them
they could hear the moaning of men in agony, the train an island in a sea of
human desolation.”
Most of the material in Wounded is new,
from previously unused archival sources, and it is presented not in a cold,
detached way, but with genuine warmth and engagement, because Mayhew has the
skills of a novelist, the ability to empathise, to stand in the shoes of those
who were so committed to saving lives a century ago. The reader is invited to
engage with the senses, to smell the gas still clinging to the uniforms of
those arriving at London’s Victoria Station on ambulance trains, to recoil from
appalling injuries, to gasp at the madness of it all.
Published by Bodley Head ISBN 9781847922618
UPDATE - website for published book Stories from the War Hospital is at www.firstworldwarhospital.co.uk
* Emily Mayhew will be a guest of Headingley LitFest on Tuesday 18 March 2014
* Emily Mayhew will be a guest of Headingley LitFest on Tuesday 18 March 2014
Friday, 5 July 2013
First Youth Fringe day on Saturday 29 June
Thanks to the generous support from the Arts Council and the Co-operative Community Fund, Headingley LitFest was able to host its first major event specifically targeting young people in our community with a wide-ranging programme of events.
We started with a well-attended especially commissioned performance of ‘The Woodhouse New Woman’ by Theatre of the Dales, first performed at the main LitFest in March. Focussing on Mary Gawthorpe, local suffragist, it both entertains and informs as it follows her journey from dutiful daughter into radical politics. It is expected to tour to local schools in the autumn.
A creative writing workshop
– to find your inner poet – was a delightful couple of hours in the company of James Nash, local published poet,
assisted by Ruth Middleton from the Headingley
Writers Group, run by the WEA at Heart. Although a small audience, the quality of work produced was
high – and the young people have given us ideas about how to recruit more of
them in the future. That’s what
pilots are for! As one participant
said, “I brought my daughter to this event, and ended up participating
myself! It was a fabulous
experience for my daughter, who has shown promise in her writing, and reads
avidly, but is reticent about making her voice heard publicly. The session was
skilfully and sensitively run.
Excellent.”
The film We Are Poets was
again shown to a healthy audience that was both moved and uplifted by the story of six
young Leeds poets, none with an easy backstory, who go off to an international
‘slam’ in Washington called Brave New Voices. And get to the semi-final. Beating forty other teams. But as Alex Ramseher-Bache,
director, in the informative Q&A session afterwards, said “Points aren’t
the aim; the point is the poetry.”
And it was – affecting, engaging, emotional. For more information, check out We Are Poets. Watch out for it on DVD soon.
Finally, Alex Rushfirth put
together a great evening of local young musicians playing their own songs and
poems to their original music. As Seas-of-Green
sang,
‘We're
mutually in harmony/ all programmed by a man with a pocket full of pens’
Le Servo de Spock backed this up with some very original numbers where
the music was definitely only illustrating the poetry. A shame we had to call
time at 10.30 pm!
Tuesday, 11 June 2013
Society of Young Publishers
The Society of Young Publishers North and Midlands would like to invite anyone interested in the art of writing and publishing to a special event in Leeds
The Society of Young Publishers North and Midlands would like to invite anyone interested in the art of writing and publishing to a special event in Leeds at 7pm on the 18th June at The Outlaws Yacht Club. There will be discussions and networking opportunities alongside free food and drink.
The evening will feature talks and readings from:
Robert Williams, Faber & Faber Author
Mathew Headley Stoppard, Valley Press Poet
Louise Swingler, Arachne Press Author and Proofreader
The Outlaws Yacht Club is situated at 38 New York Street, Leeds. LS2 7DY. Doors are at 7pm and entry is free.
Established in 1949, The SYP is open to anyone in publishing or a related trade – or is hoping to be soon. Our aim is to help assist, inform and enthuse anyone trying to break into the industry or advance within it.
You can find out more and RSVP on Facebook and follow @SYPNorth on Twitter
The evening will feature talks and readings from:
Robert Williams, Faber & Faber Author
Mathew Headley Stoppard, Valley Press Poet
Louise Swingler, Arachne Press Author and Proofreader
The Outlaws Yacht Club is situated at 38 New York Street, Leeds. LS2 7DY. Doors are at 7pm and entry is free.
Established in 1949, The SYP is open to anyone in publishing or a related trade – or is hoping to be soon. Our aim is to help assist, inform and enthuse anyone trying to break into the industry or advance within it.
You can find out more and RSVP on Facebook and follow @SYPNorth on Twitter
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