Conrad Beck writes:
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| Richard Wilcocks Photo by Gail Alvarez |
There is much to say about the life and works of Charlotte Brontë, and a
speaker would be well advised to find a very definite focus for a one-off session.
In Headingley Library on Thursday evening, in front of a substantial audience, Richard Wilcocks found it in the author's dismal
attempts to become a teacher and a governess, just about the only work
available for a young woman in her social position at the time. He did not
simply deliver a lecture, but showed slides, read from Charlotte Brontë’s early
poetry, her juvenilia and her Roe Head Journal, and appeared in role as the
rich mill-owner John Benson Sidgwick, who had employed her to be a governess for
two of his young children. It was assumed that most of those present knew at
least something about the author, her most well-known novel Jane Eyre and about its early chapters
set in the fictional Lowood School. A quick hands-up operation revealed this
assumption to be correct: just about everybody had visited the Brontë Parsonage
Museum in Haworth as well.
Richard Wilcocks began by revealing some of his sources - Juliet Barker’s
The Brontës and biographies by
Winifred Gérin and Clare Harman in particular – and by giving an account of the
time when Charlotte was a pupil at Roe Head School in Mirfield, which was for
the daughters of merchants and manufacturers. She was the equivalent of a member
of Year 10 today. There was a passing mention of her earlier experiences at the
puritanical school in Cowan Bridge, the model for Lowood, which was swept by a
disease (possibly Typhus) which finished off her older sisters Maria and
Elizabeth. At Roe Head, short-sighted, tiny for her age, unfashionably dressed
and the opposite of gregarious, she was still haunted by grief: she told Mary
Taylor, one of two girls who became her friends, that she had dreamed about her
dead sisters, who had appeared in the school’s drawing room, waiting to see
her, but that when she had gone forward to greet them, they had changed into
fashionable young ladies. We heard about Mary’s debates with her friend, Mary
adopting a radical stance (she came from a family of dissenters), Charlotte arguing
from the viewpoint of a convinced Tory, and we were read extracts from
Charlotte’s letters to Ellen Nussey, her other friend.
We were given glimpses of the
extraordinary world of the imagination which obsessed Charlotte and her brother
Branwell at this time – Glass Town, which later became Verdopolis. She
retreated to this world, full of remarkable events and vivid heroes like The
Duke of Zamorna, writing microscopically and with her nose almost touching the
paper. She shone in lessons. Ellen wrote: “She was first in everything but play”.
Her drawings from this time are intricately detailed, and she left school
wanting to be an artist.
When she returned to Roe Head in
1835 she considered herself to be a poet and an artist, and resented having to put
up with the drudgery of teaching. She came with her tall and taciturn seventeen
year-old sister Emily, a pupil isolated amongst much younger girls, and who was
in so much mental anguish that she was sent home after three months, but she
wrote poems like The Bluebell and A Little While, A Little While at this
time. Charlotte retreated even further into her imaginary world, and wrote in
her journal even when she was in front of a class, the girls commenting on the
fact that she appeared to be writing (still microscopically) with her eyes
closed. One of the things she wrote, after describing her charges as “oafs”
was:
Must I from day to
day sit chained to this chair, prisoned within these four bare walls, while
these glorious summer suns are burning in heaven & the year is revolving in
its richest glow & declaring at the close of every summer day that the time
I am losing will never come again?
Arguments with Miss Wooler, the long-suffering head teacher (the model for Miss
Temple in Jane Eyre) were followed by
Charlotte’s exit, but a few years later she was a governess at Stone Gappe, a
splendid house not far from Kildwick. Charlotte's time at the Lothersdale house between May and July
1839 was unhappy, and this is reflected in Jane
Eyre when Jane is forced to live with her aunt's family at Gateshead Hall
after being orphaned. Stone Gappe was the summer home of John Benson Sidgwick, principal partner at High Mills, Skipton, and
his wife Hannah. Charlotte worked for the couple as a temporary governess for
two of their children – seven year-old Mathilda and three year-old John. The
couple also had three older children and Mrs Sidgwick was pregnant with a fifth
child while Charlotte was employed there. She liked Mr Sidgwick. He seemed to
her to be an ideal Conservative gentleman as "he strolled through his
fields with his magnificent Newfoundland dog". However, Charlotte found
Mrs Sidgwick to be unjust and unsympathetic, resentful of complaints about her
children and tyrannical in her demands for "oceans of needlework". The
children were far too young to benefit from anything Charlotte could have
taught them and like all young children, did not interest her. John supposedly
threw a Bible at her, which hit her on the head.
Richard Wilcocks used what might be called an ‘educated Yorkshire accent’
when he played the part of John Benson Sidgwick, who gave us his opinions on
governesses in general, saw Charlotte as a miserable oddity, and confessed to
having been impressed when she revealed her obsession with the life of the Duke
of Wellington. Had a Newfoundland dog not rescued Napoleon when he had fallen
overboard during his escape from the island of Elba (near Corsica), he
revealed, there would have been no Battle of Waterloo.
Audience comments
A cosy setting for the talk. Interesting
details without trying to cover everything.
Has made me want to go away and
read more. Thank you
Enthusiastic, entertaining and excellent. A
good prelude to the Headingley LitFest
Excellent - really brought the Brontes to
life. Lots of new information.
Most enjoyable. The women seemed to live
again thanks to Richard's enthusiastic, researched and no-holds-barred accounts
of their darker sides
I feel very lucky to have a chance to
participate in this event. It was a bright, brilliant and smart performance. I
would like to visit some again.
Thank you very much.
It was a fully attended enjoyable event which
took a small part of the Brontes' lives in an interesting depth with slides of
properties, dog (excellent) and west Yorkshire accent.
Interesting and vivid. Nicely reinforced
known information and added to it, particularly about locations I want to visit.
Information about duration would've been appreciated as I'm on public
transport!
Entertaining and stimulating lecture
presenting Charlotte Bronte from a somewhat different viewpoint.
Very interesting - a different aspect of
Charlotte Bronte's life. Enjoyed the way it was presented - good accent.
Absorbing, illuminating, entertaining. It
may be that E.Bronte's second novel was recycled by way of ????
The talk was very informative and
interesting and raised some new ideas. Thank you for a lovely evening.
A very interesting talk on the life of
Charlotte Bronte and a bit about her sister Emily by Richard Wilcocks. I
particularly enjoyed his impression of John Sidgwick, Charlotte's employer
Interesting. My ears pricked up when I
heard about High and Low Mill in Skipton. I have been proof-reading about the
Smiths Family History and these Mills came into it (as did Kildwick Parish
Church)
Very interesting and informed presentation.
Encouraging further reading.
Very interesting aspects and good taster
for the festival.
Very entertaining and informative
Entertaining and informative and enjoyable
Interesting and informed
A delightful, interesting, informative and
entertaining evening.
Quite interesting but it could have been
more scintillating.
Many thanks. The speaker's enthusiasm and
depth of knowledge shone through the hour.
We enjoyed many anecdotal scenes and readings which made interesting
social commentary. The speaker's
visual aids were not distracting but had the screen been arranged better to
make the slides bigger and more visible it would have been an advantage. Very interesting and enjoyable.
Very interesting
