Thursday, 26 February 2015

Their imaginations are Something Else

Sheila Chapman writes:
Poet James Nash with teachers Adrienne Amos and Gemma Midwood
The Year 6 children at Ireland Wood Primary School wrote poems full of passion and imagination about their families, feelings, laughter and love.

They wrote with real skill and read their poems clearly and confidently. As one parent said they found the experience uplifting and emotional and another thought the poetry was emotionally deep and creative.

Here are a few snippets -

Memories meander back to me
From poems about mothers
...like beautiful sunshine
...like a diamond in my heart
...feels like a teddy bear you wish you could keep forever
... like a soft cuddly cushion

From poems about the world and life
... life is my pulse ticking like a clock
.. the earth smells like fresh vanilla ice cream
... the smell of factories and maybe the taste of smoke

From poems about families
... my family is an art gallery
... like birds chirping love
... blasting out with laughter in front of the tele
... like a jigsaw puzzle
... endless trust
... my pumping heart, a robin singing the whole time

From poems about love, feelings and laughter
... like warm powerful music
... like an orchestra playing different tunes
... like the sounds of the xylophone
... like the bursting sweet sensation of fruit

Gemma Midwood the English Leader in the school said
Great to hear and see the children share their writing with confidence and pride. They have obviously been inspired by James, consequently writing emotively and with enthusiasm.
Adrienne Amos the form teacher said

Again, an amazing experience for our children. I have seen their poems develop from good poems to fantastic poems. Such a treat!

Monday, 23 February 2015

Thanks, Christina at Leeds List!

Thanks for your preview, Christina at Leeds List! You're welcome to eat with us on 9 March - Dinner with the Decameron. There's a meal with a Florentine touch, and a couple of saucy Boccaccio stories! 

Don't forget to book in advance for this - 0113 275 5017

http://bit.ly/1FOaJE3 - CLICK to find out.

Thursday, 5 February 2015

'We're Not Going Back' - Red Ladder

The brochure is now ready! Email here if you want some to distribute for us.

One or two of you might just have a pdf version sent in the last few days which needs a slight amendment. We've now put that right. Red Ladder's show on Saturday 7 March is actually NOT free - it is six pounds to get in. Here is the programme entry:

We're Not Going Back

A musical evening with Red Ladder Theatre Company

This touring play by Red Ladder commemorates the thirtieth anniversary of the 1984/5 miners’ strike from the vantage point of a well-worn settee in a South Yorkshire pit village home. The play’s cast, writer and musicians gather to perform extracts, sing songs and discuss the impact of the strike, the play and its audiences up and down the country.

8pm New Headingley Club, St Michael’s Road £6

Wednesday, 28 January 2015

Tuesday, 20 January 2015

What a line-up!

Jo Shapcott, Red Ladder, Dommy B, Jasper Fforde, Nicolette Jones, the cream of Yorkshire crime writers, Peter Spafford, Richard Ormrod, Juliet Barker, Trio Literati... but why name-drop when you can easily get a good idea of everything that is going to take place by clicking here. Currently, there are still a few small updates, but most things are in place. You can start pencilling messages for yourself into your diary.

We're working on the brochure at the moment: it will be as beautifully comprehensive as ever. 

Friday, 19 December 2014

Lemn Sissay is coming to Headingley

Lemn Sissay        Photo: James Ross
Lemn Sissay MBE is now definitely booked for the next LitFest!

He'll be appearing at Leeds City Academy on Friday 20 March in the evening (you are all invited!) and will also speak at a masterclass for school students at Lawnswood on the same day.

Here is a selection of facts:

He is the author of several books of poetry alongside articles, records, public art and plays.

He was an official poet for the London Olympics.

His Landmark Poems are installed throughout Manchester and London, in venues such as The Royal Festival Hall and The Olympic Park.

He is associate artist at Southbank Centre, patron of The Letterbox CLub and The Reader Organisation and inaugural trustee of World Book Night.

Write this into your new diary now! Tickets available nearer the date.

More on Lemn in the coming weeks!




Friday, 5 December 2014

'Own Your Words' at Ralph Thoresby School

Sally Bavage writes:
Two dynamic teachers at Ralph Thoresby School, Kate Wolstenholme and Tom Stubbs, have got a great group of young people together in a poetry club they named Own Your Words. This started earlier this year and is growing week by week.  They are working towards a poetry slam on 2 April at the end of the main programme of LitFest 2015: Something Else.

Kate said, “Several of the group took part in the Ilkley Literature Festival this year, performing at Otley Courthouse alongside pupils from Leeds Grammar School, Fulneck and Gateways. The group all started off feeling uncomfortable on stage; it's so brilliant to see those same pupils transformed into seasoned performers who own the stage and their words!”

Kate has now secured support for Own Your Words to go on a week-long residential course for young writers run by the Arvon Foundation. Guests include Tiffany Murray and Marcus Sedgwick, both established authors of children’s fiction.

Thanks to a grant from the Outer North West Activities Fund, negotiated as part of the Headingley LitFest community programme of work with at least eight local schools, next term there will also be poetry performance coaching available on alternative Thursdays from 3.05 to 4.30 pm.  Established local poet performers like Michelle Scally Clarke will work with young people in the area who wish to come along and explore techniques for releasing their inner poet, using Ralph Thoresby as a hub venue.

One of the original members of Own Your Words, Nida Naqvi, is now in year 11 and helps run the class as part of her Duke of Edinburgh Award.  “I am very grateful for the opportunity to write poetry; it stimulates my creative mind and helps you grow as a person,” she said. She is a member of Leeds Young Authors (http://www.leedsyoungauthors.org.uk/about.html) and a fantastic role model for other young people who now “have gained so much self-knowledge and self-confidence they even volunteer to speak in assemblies.”   Emma Blane agreed, adding that the poetry sessions  “Are really fun, it gets your imagination going.”

.

'I, Robot' - James Nash at Spring Bank

Sally Bavage writes
'I Robot' at Spring Bank. Apologies to Isaac Asimov. 
Wednesday 3r December, and the assembly hall has thirty visitors and parents waiting with happy anticipation for the latest in Headingley LitFest’s poetry assemblies tutored and coached by James Nash, local writer and poet.   “Child:  We’ve got someone really important in the class today.  Daddy: Who? The Prime Minister?  An Olympic gold medallist?  Child: No, A Writer.  A Real Writer!”
James Nash with Luke Wrankmore                 Photo: Sally Bavage

Once again, James had worked with all of Year 4 on their ideas, initiated by their science work on circuits and switches, but taken to whole new levels by their originality and perceptive writing.  James: “Think writing.  Find inspiration.”  They did, in spades.  A robot is certainly Something Else in their world, and words, shared in front of the whole school.

“I dream of finding another robot to play with”
“I am building my replacement”
“I nip someone’s finger as an alarm clock”
“I am a very lonely robot, I don’t have a friend to play with but I’m not a bad robot”
“My magic single eye can give you a shock”
“I try to fit into your family but I don’t have any feelings or emotions”
and
“I am made of enchantment.”
Indeed.

Class teacher Luke Wrankmore said, “James works so successfully to bring out the creative talent in all our children.”  A sentiment echoed by the deputy headteacher Amy Houldsworth, who added how delightful it was to “See the whole class very much inspired.”  

For one girl, the best bit was “Reading my poem out,” and her parent wrote that she “was inspired to write independently at home – this is a first!  Thank you.”

The many parents there were fulsome in their praise for the way the work had developed both writing skills and confidence:  “..he [James] has been inspiring and leading the class for weeks.  It seems to me that with his additional leadership all the students have been particularly engaged in the process, where normally perhaps the ones with stronger literary skills might engage with activities like this more than some others.  Our daughter benefited and loved it, and so did we.”

From so many other expressions of enjoyment, perhaps this parent’s words stand as a testament to the value of what James produces: “One of the best assemblies I’ve seen at this school.  The children’s poetry was fantastic.  I hope they get to do more.”


And the last word goes to the children themselves.  Question:  What have you learned in this project?  “Poems are brilliant!”  “It increases your confidence.”  “Sharing others’ poems is fun.”  “So you can inspire people with your work.”  “You grow your confidence.”

Tuesday, 2 December 2014

Metamorphosis at Weetwood Primary

James Nash with Josh Annis-Brown    Photo: Sally Bavage
Sally Bavage writes:
Year 5 were once again thrilled to be able to work with James Nash, as part of the Headingley LitFest community programme of work with schools, and read out their poems on Something Else to a packed assembly of classmates, Stage 2 peers, teachers and a throng of parents. 

“An amazing opportunity to read out their poems and write about their feelings,” said Josh Annis-Brown, classteacher.  

James has done “A fantastic job,” said headteacher Tarsem Wyatt and cheers rippled round the audience. The youngsters wrote from a caterpillar’s perspective about metamorphosing into something else, producing some prosaic truths and some delightful lines of poetry. 

Think back to when you were nine years old and trying to hold a microphone at the correct distance to pick up your words as well as your carefully crafted poem on a sheet of paper.  It takes the mastery needed for an adult to drink and eat at a buffet.  But mastery was indeed on show and delight and pride too in the performances.

“I have learnt how epic James is!” and “The awesome James Nash “ whilst “Poetry can be fun and if you work hard you can do anything,”  “Being and working with James” and “I have met, wrote and spoken to a famous poet” were two more of many highly positive opinions that class 5 offered. “You build up confidence in yourself,” and “The best thing is sharing my poem with my classmates and hearing their poems.”  Out of the mouths of …

Not just the babes but parents are equally supportive:
“An excellent opportunity to hear the work of a group of pupils.  The pupils have obviously been inspired and produced some beautiful pieces of work.”
“Great to see the children perform their poetry as well as having an insight into what they have been doing in school. I know from my son that having a ‘real life’ poet has inspired him and encouraged his own writing. Fabulous, thank you.”

Wednesday, 26 November 2014

Sekabo – Utopia on t’Moors?

Sally Bavage writes:
Photo courtesy Shanghai Daily
Richard Woolley was founding Head of the Northern School of Film and Television at Leeds Metropolitan University (now Leeds Beckett University) as well as founding Dean of Film and TV at the Hong Kong Academy of Performing Arts, all part of an illustrious CV. You could describe him as a musician and composer.  Or filmmaker.  Or scriptwriter.  Morphing into a serious novelist.  

Speaking at a LitFest 'Between the Lines' event in the intimate surroundings of the Heart centre's café yesterday evening, he told his audience that he was first set thinking about the premise for this novel after watching Chris Patten in tears on the eve of the handover of Hong Kong, a place where the British tried out political, social and economic experiments which disturbed the watching Chinese.  And still disturb the present Hong Kong youth.

This imaginative teller of tales has written his third novel, Sekabo, strongly influenced by close to two decades living in Leeds and a decade living in Hong Kong.  It has two time frames – 1990 and 2097 – and two key locations – England and Sekabo.  It has two parallel plots that gradually interweave in sometimes expected, sometimes surprising ways, leaving you uncertain as to your powers of prediction.  Plots and sub-plots abound in a tale that is as much about entertaining contexts as it is about the fates of our heroine and hero.

Cover graphics designed by Daniel Reeve
The book is a lively “mix of research, imagination and personal experience”, clearly written by a writer employing strong visual imagery; it intercuts the plotting to maintain the suspense with the immersion in another timeframe.  Vonnegut undertones and many subliminal sci-fi references fuse into a book that really is Something Else. 

Be prepared to be surprised, drawn in, perhaps slightly shocked - there are a few raunchy episodes.  Most of all, enjoy the many references to local places around the North Yorkshire Moors.  You have probably walked there.  Prescient comparisons - political, social and technical - are referenced more obliquely but give many pauses for wry thought.  Utopia on t’Moors? 


And the denouement?  Ah, you’ll have to buy the book - or download it to an early prototype reading device that by 2097 will be viewed as a museum piece. 

Read this piece in The Shanghai Daily:

http://www.shanghaidaily.com/sunday/book/Richard-Woolley-Future-UK-intrigue/shdaily.shtml



Thursday, 13 November 2014

SEKABO

Sekabo is the third novel by Richard, who as as well a novelist is a successful screenplay writer and film director. He was the founding Head of the Northern School of Film and Television at Leeds Metropolitan University (now Leeds Beckett University) and is a former Director of the Dutch Film Academy, founding Dean of Film and TV at the Hong Kong Academy of Performing Arts, inaugural holder of the Greg Dyke Chair of Film and Television at the University of York and, most recently, Associate Dean of the Faculty of Performance, Media and English at Birmingham City University. 



The café will be open especially for this free event, which is presented as part of the Between the Lines programme of Headingley LitFest. 

Saturday, 1 November 2014

Mimika - completely enchanting



Small Worlds - Saturday 1 November - Mimika

(A LITFEST 'BETWEEN THE LINES' EVENT)

Gail Alvarez writes:
Waiting to be invited into the tent
Picking apples from an unsteady ladder,and the broken ankle that followed, did not stop Jenny, one half of Mimika children’s theatre, from working with partner Bill in four sell-out performances at the Heart centre in Headingley. Thanks go to her sister Sheila for helping out and ensuring the show must – and did – go on. Fortunately, Jenny's part in the production involved mainly crawling about, out of sight, on the floor of a large, custom-made, igloo-shaped tent.

Not long before the beginning
Old and young alike packed each show, which held audiences spellbound.  I half expected to see some of the adults sucking their thumbs too, so intent were they on the small world created inside the intimate and cosy world of the tent. Utterly absorbed by the unfolding drama, eyes wide, mouths agape.  The children in the audience too!  Lovely to hear  those children giggle in delight and stare in concern at a form of entertainment which was born thousands of years ago but which is still such a good medium for sparking imaginations.

No wonder that Mimika provide such a gentle but profound experience, taking us all to a (small) world we can see, hear, imagine, describe and talk about in our mind’s eyes and our internal conversations.  Film clips, hundreds of sound effects, music geared to the action, puppets and props create a microcosm of rural life for a small living things. The creatures get larger as the show develops. There are butterflies of various hues, a pink-spotted bug, honking geese (soprano and bass), a mother fox slinking through the woods and looking after cubs in the sett, a green lizard which is squashed by a child's bicycle before it can snap up flying insects, a girl straight out of a six year-old's drawing - for forty-five minutes the audience was captivated.  
Owls are always welcome

What ideas have been planted in our observers by these tiny tales?  Time will tell but storytelling always starts in the mind’s eye.

Audience comments include:
Mesmerising!  The detail is wonderful. Thank you for coming to Heart.  Please come again.  Everyone should see this.  Julia.

So wonderful to see handcrafted settings and such a different, unusual mixture of media.  Captivating!  Loved the foxes and bugs particularly! Music was beautiful too.  Would definitely come again! Luisa

Beautiful, engaging, very magical for the kids.  Would love to see more. Liz

A magical experience – I emerged bemused, enraptured – full of questions!  Thank you.  Lis

It was absolutely beautiful.  Magical.  I was almost crying which is unusual for me!  Thank you!  Lucy

Truly enchanting and I could not help but wonder at the huge amount of time and energy involved in the making and production of the performance - the art work, model making and the combination of digital film and immersive sound was inspired. The audience - young and old were truly engaged and spellbound. Douglas




Bill Parkinson and Jenny Ward                                Photo: Richard Wilcocks

Sunday, 19 October 2014

Inspiring stuff for Ilkley - and Headingley

Sally Bavage writes:
Osmondthorpe and Headingley Writers work their magic again

Saturday night at the Ilkley Literature Festival Fringe and two groups who collaborated to put on a fantastic performance at the Headingley LitFest in March joined together once again to reprise some of their work and add in a few new pieces.  Inspiring stuff – despite that you were sometimes holding your breath with admiration and awe as feelings and effort were laid bare.

The groups were first brought together early in January 2014 by a partnership between the WEA and Headingley LitFest, supported by a grant from Jimbo’s Fund.  LitFest commissioned local author and WEA tutor Alison Taft to provide significant additional tuition to wannabe writers and poets from the Osmondthorpe Resource Centre.  The new creative writing tutor at the ORC, Maria Preston, did her group proud as compere, with strong technical support from centre manager David Fletcher. Their belief in their writers shone out, and it was wonderful to see the self-belief developing in our performers, despite the shaking hand-held papers and quavering voices.

The groups have produced a heartwarming 48-page anthology of their writing and poems, available for only £2 from the Osmondthorpe Centre.

Contact david2.fletcher@leeds.gov.uk for further information.

Wednesday, 15 October 2014

Grim Tales from the War

 – but love, laughs and life too.          Tuesday 14 October

Gail Alvarez writes:

Richard Wilcocks, Secretary of Headingley LitFest, treated a large and supportive audience at the Ilkley Literature Festival Fringe in the Ilkley Playhouse to an absorbing selection of anecdotes from a wide range of sources.  The medical practitioners – the VADs, matron, staff nurses, RAMC surgeons – and the patients all had a representative in the book to tell their tale.  Medical care and practice in WW1 had many surprises: for examples the team of privately-sponsored masseuses (yes, really), smoking in bed as the norm, a singular lack of pain relief or antibiotics and the surgery that rebuilt faces and shattered lives.

His extensive interviews with surviving relatives in the Yorkshire region had provided accounts based on personal memorabilia and recollections and Stories from the War Hospital, first published in March 2014 by Headingley LitFest, details life at the 2nd Northern Military Hospital in Headingley, known at the time as Beckett Park Hospital.  Two years went into the research and the writing, exemplified tonight by the extraordinary true tales of Private Robert Bass and VAD Nurse Dorothy Wilkinson, just two from the dozens in the book. 

Richard is an entertaining speaker/performer, with a talk illustrated by snatches of song, poetry and racy gossip as well as some of the starker statistics about the close to 60,000 patients who passed through the doors of the former City of Leeds Training College for teachers.  He has a knack for exploring the grim and the grime, to find the laugh, the life and even the love story. For more on the book go to its website at www.firstworldwarhospital.co.uk

Richard is available for Powerpoint-illustrated talks and storytelling sessions based on his book, and is also offering teaching sessions and drama workshops in schools. Get in touch by emailing headingleyhospital@gmail.com



Tuesday, 14 October 2014

Mimika Theatre - Small Worlds



The internationally renowned Mimika Theatre returns to HEART with 'Small Worlds' an enchanting new show for Leeds.

Mimika's performances, which use immersive soundtracks, puppetry, digital animation and miniature landscapes, are presented in a beautiful white tent where children and adults alike experience an intimate and atmospheric show full of magical and poetic imagery.


This is an ideal half term treat for all the family. 


or at Heart - see poster for details.

A Headingley LitFest event: www.headingleylitfest.org.uk