When the Wind Changed

The excellent Leeds-based Theatre Company BlahBlahBlah  took part in the second Headingley LitFest in 2009, premiering their show When the Wind Changed to delighted parents and children in the library. It's still going strong:

Throughout March the Blahs will be spending a day at a time in schools across Yorkshire, performing When the Wind Changed four times in the morning for Reception children, each performance lasting half an hour. In the afternoon they will do two performances of their show Max for Yr 1 / Yr 2 children, each show lasting forty-five minutes.

When the Wind Changed is a story about a girl whose face gets stuck by the wind when it changes. All manner of people's faces have been stuck by this mysterious wind. When Gran realises that wiping that look off her granddaughter's face isn't going to work, her only advice is to "wait for the wind to change again". They wait... and they wait... and they wait. And then the wind begins to blow...

Max is based on the Maurice Sendak picture book Where the Wild Things Are. Max has been up to mischief and is sent to his room without any supper. We sit with the children around a blank canvas which becomes Max's bedroom that turns into a forest. They travel with him in and out of weeks to Where the Wild Things Are. The children meet Wild Things seven times bigger than themselves and must help Max find ways to tame them without hurting them.

If you can make it, you are invited to dip into the day and see the participatory work in action. Visitor places are limited to three a day. You can book your place by contacting Cas Bulmer on 0113 274 0030 or at cas@blahs.co.uk. Please give plenty of notice so that the necessary arrangements with the schools can be made.

Publish your own?

For fun and profit? Depressed by rejection slips? Fed up with being a would-be? You could come in with the tide - read this - or you could cheer yourself up on Wednesday 16 March when Isabel Losada addresses us in the Claremont Room at Heart. See the programme. More on Isabel later.

Our part in World Book Night

Headingley LitFest has been chosen by World Book Night to receive forty-eight free copies of Alan Bennett's A Life Like Other People's. These will be delivered about a fortnight before the LitFest starts, and as we have just received the news, we have yet to decide the mechanics of distribution. The official World Book Night is on Saturday 5 March.

Alan Bennett is, just in case you don't know, one of our local literary heroes, who attended the school which is now known as Lawnswood, and who lived over his father's butcher's shop opposite the Three Horseshoes pub, now known as Royale Dry Cleaning.

Lesley McDowell wrote in the Independent in May:

Alan Bennett's memoir of his parents' marriage and his mother's battles with depression is clear-eyed, touching, occasionally waspish, not always charitable, and ever honest. The discovery in later life that his maternal grandfather committed suicide is, he tells us, the kind of thing a writer longs for, to spice up a dull, normal family story. But, of course, no family is ever really dull or normal, and no family is ever "like other people's", however much one might strive for it to be so.

You can read the rest by clicking here.

Reviews from anyone else are welcome.

Congratulations, Jo Shapcott

Congratulations to Jo Shapcott from Headingley admirers for winning the general Costa Book Award. Individual winners are selected from five categories: novel, first novel, biographical work, poetry volume and children’s book. These winners are then put back into the competition and an overall winner comes out – with a prize of £35,000. This year, Jo Shapcott’s Of Mutability took it, narrowly beating Edmund de Waal’s memoir The Hare With Amber Eyes.

Help us with publicity

The LitFest programme leaflets have now been printed. If you want some to give out, please email here. You could also ask for the pdf of the programme, then send it on to people in your address book.


Don't forget to add the LitFest if you use Facebook: click on the icon top right. 

Peter Lorre - one of the greats

Richard Wilcocks writes:

Peter Lorre appears in the LitFest’s showing of The Beast With Five Fingers at the Cottage Road Cinema on Monday 21 March at 7.30pm. He stands out, almost inevitably, from the other actors in a strong cast, and not simply because of his reputation: he is genuinely one of the greats. The screenplay, taken from a short story by W F  Harvey, one-time resident of Headingley, is a little daft, but there’s the horror genre for you. It’s still very enjoyable.

His voice . . . face . . . the way he moved . . . laughed  -   he was the most identifiable actor I have ever known. (Vincent Price)

His ‘real’ name was László Löwenstein, and the languages of his youth would have included Hungarian, German, and probably Yiddish, because he was born in 1904 in Rózsahegy (now Ružomberok in Slovakia, then in the Kingdom of Hungary) to a fairly well-off Jewish family. He was educated in Vienna and became a bank clerk to please his father, in spite of his fascination with theatre.

Membership of a theatre group which specialized in improvisation led him to stages in Breslau (now Wrocław), Zurich and Berlin, where he became famous for his interpretation of Danton in Georg Büchner’s Danton’s Death. Bertholt Brecht took a great linking to him, and cast him in his Happy End and Man Equals Man. In 1931 the film director Fritz Lang cast him as a psychopathic child murderer in his first talkie, which had the short title of M. This caused something of a sensation, and Lorre began to be careful about typecasting. However, although he starred in a fair number of German films after M, people remembered it rather too well, and in 1933, propaganda minister Joseph Goebbels, who was deeply interested in the power of film (just like his master Hitler, whose favourite film was Lives of a Bengal Lancer) sanctioned the use of Lorre’s image on a poster advertising the anti-semitic The Eternal Jew. Lorre was supposed to look like a typical Jew. Sinister, that is…

Lorre took the hint and got out. In England, he quickly teamed up with Alfred Hitchcock to become a villain in The Man Who Knew Too Much, then sailed to the United States to star in Mad Love and to become the Japanese sleuth Mr Moto. His international reputation, which was substantial, escalated to stellar heights when he appeared in Casablanca and The Maltese Falcon. After the War, still sensitive (rather late in the day) about typecasting, he appeared in The Beast With Five Fingers and similar films. He finished his career with a series of character parts in the likes of Around the World in Eighty Days.