War and Peace - Maggie Mash's house event

War and Peace - house event
2.30pm Sunday 23 March

Sheila Chapman writes:

                                                                            Photo: Sheila Chapman

Maggie’s front room is striped with magic –music, song, drama and poetry. I love being there entranced by the power and inspiration of words rendered with passion, integrity and talent. I was truly moved by the range of work and the way it provided such an insight into the lives of people who survived, and found hope, sometimes in dreadful situations.

Dave Robertson gave us a dramatized reading of the dialogue between Wilfred Owen and Siegfried Sassoon (his mentor) as the young poet struggled to find the ‘right’ words – this particular struggle resulted in Anthem for Doomed Youth!

Maggie Mash and Ruth Sillers told us the story of women during wartime - taking on men’s jobs, fleeing persecution, working for the resistance, and finding a personal freedom not normally available to them in peacetime. The story was told using the women’s own words with powerful readings by Maggie and Ruth of excerpts from books and from poetry. We went with these women on their journey and heard them talking directly to us.

Finally – the ‘Chansons’. Maggie Stratford and Daniel Bowen took us back in time to listen to French ‘chansons’ which inspired us all. Maggie’s wonderful voice and skilled introductions together with Daniel’s beautiful music took us back in time, and to another country, to be moved inspired and uplifted. I am definitely going to learn the Java – even at my age. Bravo! Encore!!

Thank you so much to one and all.

Excerpt from Pat Barker's Regeneration.                                                                 David Robertson
Excerpts from Ruth Siller's audiobook, War Girls.                          Ruth Sillers & Maggie Mash
Excerpt from Janina Bauman's Winter in the Morning.                                           Maggie Mash
Excerpt from Marcelle Kellerman's A Packhorse called Rachel.                             Maggie Mash
French chansons.                      Maggi Stratford (singer): Daniel Bowater (piano & accordion)

Wolf White writes:

                                                      Photo: Sheila Chapman

Very well attended and warmly welcomed into Maggie and Bob’s home. Ruth Sillers did ensemble piece with Maggie Mash about the previously invisible women who suddenly became visible everywhere doing ‘men’s work’ with great expertise. Of this period we know much from male poets but many women wrote also – where was their work? I learnt a great deal from this performance about women’s thinking in a range of voices. Brilliant. Maggie Stratford (and pianist and accordionist Daniel Bowater) then gave us a very French rendition of wonderfully energized and sung chansons. Maggie’s intro to each piece set the context both personal (regarding the song writer) and historical. Hats off to Headingley LitFest for making this truly a community arts event - inviting local people to provide the intimacy of their homes for some of these presentations. It’s a great and practical means of people crossing paths in mutual enjoyment of local talent and thinking about ways to render the theme of surviving.

Audience comments:

Beautiful selection of material. Wonderful interpretation by ALL concerned.  

Please more time between heart moving poetry readings. There is so much to comprehend!

A superb event in every way!! Thank you so much for setting it up.

What a fabulous afternoon. What a feast of talent and a plethora of emotion! Many thanks – I’d like to have it all over again. Bravo Maggie!

French singing was very lovely indeed. Readings too were fascinating.

What a wonderful afternoon! 

Most interesting and entertaining. Thanks to all concerned for making a very enjoyable afternoon.  

A fantastic performance and getting insight into the women’s perspective through some amazing poetry and prose read with great feeling and emotion. Beautiful French songs – so tuneful!

Superb afternoon. Poignant and delightful. A wonderful mix of memories & sentiments. 

Wonderfully nice and varied programme of poetry, prose and music – poignant, haunting and amusing! Fantastic!

A wonderful collection of poetry, prose and songs. I enjoyed very much. Thank you.

Very lovely rendering of poems and great voice, introduction and songs.

I enjoyed talking and singing and playing

Enjoyed yes – Readings very interesting and informative from WW1 and 2 war girls. Superb and what more to come Encore - well done to Maggie and Daniel. Well done to hosts – thank you very much.

A very enjoyable afternoon. Well thought out and researched. ‘Encore’ was very entertaining and their enthusiasm was obvious and made the audience part of the experience.

A most enjoyable afternoon of poetry and music. Thanks to everyone involved. Will look forward to future events.

A brilliant event! Exceptionally well-read poetry and prose and a stunning rendition of French songs.

A lovely mélange of poems, prose and songs. Five talented performers and two separate instruments – piano and accordion. A great range of themes and periods. Skilful rendering of the moods of women during WW1. 

Brilliant! A wonderful way to treat a sad subject. Couldn’t be more interesting and entertaining.  

An unexpected mixture. But the readings were nice, and the French chansons are indestructible. 

Most enjoyable. Tremendous combination of verse and song. Brought home the suffering of women and war – the pity and the sorrow, but also the sweet chagrin of love that can ….. (complete as you see fit).

Beautiful poems and chansons. A thoroughly enjoyable afternoon!

A wonderful afternoon of moving and exhilarating poems and readings and songs. Many thanks.

Really excellent. I loved the readings and the musical numbers – a very enjoyable afternoon. 

Wonderful afternoon – inspiring and moving. Lover every element – songs, readings etc. Thank you.

A wonderful introduction to two aspects of war and often think about –the women and the music.

 Fantastic reading, absolutely stupendous. Inspirational female talent channeling their energy into meaningful drama. Thank you. ‘Barbara’s’ final song was so sweetly sung and played. I can’t speak or understand a word of French … did it matter? Not at all, I was in awe.

A most enjoyable afternoon – (as a guest). Wonderful performances and fascinating history of the First World War. Thank you so much.

Lovely atmosphere engendered by private house venue. A collection of wonderful performers and unusual material. Great variety and total entertainment in widest emotional and intellectual sense. Brilliant to be stretched by songs in French! (or any foreign language).  

Stories from the War Hospital - Review

Mabh Savage was in the audience at the New Headingley Club last Friday 21 March. She posted the following review on her blog at http://bit.ly/1iDajD3 which we reproduce with her permission: 

There is an odd camaraderie at New Headingley Club, between Leeds Rhinos rugby fans about to head off to cheer on their team, and LitFest fans here to listen in contrasting silence to Stories from the War Hospital, a performance and introduction to the book of the same name.

Headingley LitFest 2014 is sub-titled Surviving, and Richard Wilcocks' painstakingly researched volume pays tribute not only to some of those who survived the First World War, but those of the 2nd Northern General Hospital at Beckett Park, Leeds, who tirelessly worked to save and rebuild the lives of those back from the front in a bad condition.

Richard introduces the book, a collection of true stories of sick and wounded soldiers, nurses, doctors and volunteers. There are clearly members of the audience who are very invested in this publication, as murmurs and even shout-outs about military acronyms and familiar names mingle with this introductory piece. One of the audience is introduced as an interviewee for the book.  There is a sense of pomp and circumstance that belies the plain and basic trim of the wooden block stage and identical folding chairs; this volume has evidently been a labour of love and great effort, and the people involved are proud to see it come to fruition.

Contact headingleyhospital@gmail.com for your copy

The performance itself is brought to us by The Vedettes, who are Richard, Katharina Arnold, Charlotte Blackburn and Hannah Robinson. The three women are in period VAD nurse's uniforms, although the wide range of roles they each take steps far outside this costume choice. The performance focuses on three of the stories from the book: the stories of Robert Bass, Dorothy Wilkinson and Margaret Anna Newbould. Imagine snapshots of the period brought to life for a brief moment; there is this sense that we are looking through a lens into the past, into tiny fragments of these peoples' lives. I think this is accentuated by the fact that these are completely true stories; the events have been retold by descendants of the protagonists; the dialogue is from the retelling of those closest to the events.

Katharina introduces the performance with a piece on acoustic guitar. The guitar is then used as a break to indicate the beginning of each new story. Music of the time is also included as part of the stories, again creating this snap shot feel; people standing together and singing, people at Christmas sitting together carolling; all little snippets of everyday life that hammer home how real, how horrifyingly accurate the descriptions of the sickness, the suffering, the wounds and the wailing really are. At one point Hannah is rocking backwards and forwards screaming, and I shiver to think of how much worse the volunteers at Beckett Park must have had it; not just one screaming soldier, but hundreds, many with no hope except the consolation that kind words and the promise of a letter home can give.

We learn of Robert Bass, the soldier who survived wounds to the leg and shoulder, only to have a shell mutilate his jaw, teeth and face. The vivid imagery of this - severed lip, smashed jaw, destroyed teeth- is hard hitting and reminds us not only of the catch-all phrase 'horror of war' but that conflict is not the large and faceless concept many of us presume it to be, but a visceral process that obliterates individuals' hopes, dreams and souls; in short, everything that makes them human. My friend Jonathan notes that often the numbers for 'Dead and Wounded' are lumped together, as these are all people who can no longer be fed into the war machine; in short, a wounded man is as useful to the military as a dead man.

Thankfully, this performance, and in turn, the book it comes from, shows us that lives can be restored, and that the de-humanising process is not irreversible in every case. Robert undergoes revolutionary maxillofacial surgery at Beckett's Park, and indeed finds something of a happy ending... Well, I won't spoil the story utterly, go read the book!

Charlotte plays the role of Nurse Margaret Anna Newbould, a nurse at Beckett Park who became Acting Matron of the Formosa, a hospital ship that carried casualties from the Gallipoli Peninsula. The Vedettes create a gut wrenching image of the sweat, sickliness and overall sordidness of life on board a ship overfull of the dead and dying. You can feel the heat and the hopelessness. Margaret was much decorated for her service, and one can't help but feel that a medal is the least someone deserves for being one of the only bright lights in these poor souls' existence... 

Katharina and Hannah play the couple Dorothy Wilkinson and Clifford Pickles: sweethearts torn apart by war, and then damaged further by Clifford's onset of shell shock. This for me is the most heart wrenching story; psychological trauma is an enemy one cannot fight with bullets and aggression, and of course in the time of the First World War, little was known about how to treat it. Both performances here are strong, human and touching.

As the show finishes, I'm left with a conflicting set of emotions; once more I am shown the grim reality of war, yet to see these close ups of the people affected most strongly by it is something of a privilege. I feel like I have been invited to see behind the scenes of a great play, and am not disappointed by the backdrops and actors. Richard points out, that out of nearly 500 staff that would certainly have worked in the War Hospital, we know of only a very few in detail. Yet it gives me hope that these stories are now recorded for future generations; not only so we don't forget the shocking reality of the effects of war, but so we can remember how great, how resilient the human spirit is, and how there truly are those who work tirelessly for the good of others.

UPDATE - website for published book Stories from the War Hospital is at www.firstworldwarhospital.co.uk

If you are interested in obtaining a copy of Stories from the War Hospital please email headingleyhospital@gmail.com .

After the War – the Secret Survival of Gavrilo Princip

Aritha Van Herk with (inset) Gavrilo Princip

Don't miss the finale event of the main programme for 2014:  Aritha Van Herk, award-winning Canadian novelist and critic, will read from her latest work in a new Headingley LitFest partnership event with the Yorkshire Network for Canadian Studies.

Gavrilo Princip (1895 – 1918) was a Serbian nationalist who became the catalyst for the First World War when he assassinated Austrian Archduke Franz Ferdinand in Sarajevo on 28 June 1914, starting a chain reaction which led to the beginning of the war only one month later. So much we know. Or do we? What of Gavrilo? Do we know the truth?

Meet Aritha at Headingley Library on  Monday 7 April. The event starts at 7pm and will be finished by 9pm. For more information contact Catherine Bates: c.bates@hud.ac.uk

Flamenco in Mint Café

Ana Luisa Muñoz

Monday 24 March - partnership event
Mint Café North Lane - Flamenco Diez

Richard Wilcocks writes:
There is a theory that all poets should be able to sing their work - or at least get somebody with a good voice to do it for them. What are a poet's words but notes, and what are notes but an excuse to play music? Didn't Homer and the performers who learned his lines sing about Troy and Odysseus? I bet they didn't clutch little scraps of papyrus in front of them as they mumbled tonelessly! I agreed with everything I've just written on Monday, when I was crammed into Mint Café, which was exotically warm for our gypsy romances and where the thrilling voice of Ana Luisa Muñoz affected everybody so much that they clapped ecstatically.

It was all in Spanish, mind, but that didn't matter in the least. What lyrics, what emotion! Some of those present might have been reminded of  García Lorca, Spain's most revered poet, who was featured in the Headingley LitFest two years ago in both Spanish and English, and who was present again in spirit on Monday - Verde que te quiero verde...

Look out for this group. They are back soon!

A wonderful if sobering event

Mud, Blood and Endless Poetry – Dr Jessica Meyer

House Event – Sunday 23 March

Richard Wilcocks writes:

It was revelatory: few in the audience in my front room knew much, if anything, about the poets who were the focus of  Jessica Meyer’s talk. Wilfred Owen made an appearance, but with the little-known, seldom-analysed The Chances, which was written at Craiglockhart and published posthumously in 1919 in Wheels. Written, as was so often the case, at a time when the literate officer classes tried to adopt the accents of the less-educated horny-handed sons of toil, in a nearly-accurate version of the dialect of working-class London, the poem deals with what was known as shell-shock:

‘E’s wounded, killed, and pris’ner, all the lot –

The ruddy lot all rolled in one. Jim’s mad.

Jessica Meyer knows plenty about shell-shock. Her brilliant, well-researched article on the subject is in the recently-published Stories from the War Hospital (available  from headingleyhospital@gmail.com) in which she makes it clear that she links it with her ongoing research into masculinity in the war.

‘Woodbine Willie’, a padre who originated in Leeds (Geoffrey Anketell Studdert Kennedy‘s father was vicar of St Mary’s in Quarry Hill) preferred a similar dialect for To Stretcher Bearers, whose heroic activities are well-documented, incidentally, in Wounded by Emily Mayhew, our guest of last week. Kennedy’s Anglican Christian convictions are made apparent in the final lines of his vivid, dramatic poem:

‘Ere we are, now, stretcher-case, boys,

Bring him aht a cup o’ tea!

Inasmuch as ye have done it

Ye have done it unto Me.

Ewart Alan Mackintosh (killed in action 21 November 1917 aged 24) wrote In Memoriam in something like his own voice, that of a humane, caring officer addressing a father:

Ewart Alan Mackintosh

You were only David’s father,

But I had fifty sons

When we went up in the evening

Under the arch of the guns,

And we came back at twilight –

O God! I heard them call

To me for help and pity

That could not help at all.

I Have a Rendezvous with Death by Alan Seeger (yes, there is a link - he was Pete Seeger’s uncle), who died as a member of the French Foreign Legion in the fighting around Verdun, is a poem well-known in the United States, but not here. Procreation, love and happiness is contrasted with death and destruction to great effect by a poet who knew what was surely coming to him:

Alan Seeger

God knows ‘twere better to be deep

Pillowed in silk and scented down,

Where love throbs out in blissful sleep,

Pulse nigh to pulse, and breath to breath,

Where hushed awakenings are dear…

But I’ve a rendezvous with Death

At midnight in some flaming town,

When Spring trips north again this year,

And I to my pledged word am true,

I shall not fail that rendezvous.

Ford Madox Ford has come back into fashion, arguably, because of Parade on television, but an excerpt from his Footsloggers, which deals with love of one’s land and our relationship with the State in wartime, was new to all except one in the room. Haunting memories of a particular place which come to an officer in the trenches (a filthy rat-infested ditch) are the subject of From Steyning to the Ring, by Lt. John Purvis, and Simon Armitage deals with the soldiers who survive in his 2008 poem The Not Dead:

We are the not dead.

Neither happy nor proud

with a bar-code of medals across the heart

nor laid in a box and draped with a flag,

we wander this no man’s land instead,

creatures of a different stripe – the awkward, unwanted, unlovable type –

haunted with fears and guilt,

wounded in spirit and mind.

So what shall we do with the not dead and all of his kind?

Simon Currie adds:

I thought you and Jessica Meyer provided a wonderful if sobering event. I read yesterday two of the poems to our Shakespeare-plus-poetry group at Harrogate theatre and the people were bowled over.

Dark Threads

Dark Threads - Jean Davidson
Headingley Oxfam Bookshop - Tuesday 25 March

Gail Alvarez writes:

It is for another to write a fuller account of the excellent evening in Oxfam Books with Jean Davidson talking about her experiences in High Royds, but whilst there I cast my eye along the shelves.

I was struck by the quality of the bang-up-to-date books on show.  We often bemoan the loss of the independent bookshop but we have our own Aladdin’s Cave for the discerning reader right here in the heart of Headingley.  How could I have forgotten?  Do I need to use online searches for my book choices and then one-click to buy them?  No; volunteers will give advice on the backlist of authors or similar books on favourite topics. Fewer visits to the ‘Jungle’ and more to a real bookshop for me!