Dwellers on the Threshold: Dr Sean Campbell at HEART

Síle Moriarty writes:

Dwellers on the Threshold: Second-Generation Irish Musicians in England

On the ninth of March I met a lady who had attended this talk. She is married to an Irishman and she told me how the insights given by Dr. Sean Campbell had helped her understand her husband’s experience of life in this country more closely ‘because he would never talk about it himself’. Such was the impact of this humorous and knowledgeable speaker,  who started the evening with a roll call of second generation Irish musicians in popular music – Lonnie Donegan, Lennon and McCartney, Dusty Springfield (aka Mary O’Brien), John Lydon, Elvis Costello, Boy George, Oasis, the Smiths were some of the names mentioned. These people, the sons and daughters of Irish migrants, did not just perform popular music - they also had a huge influence on its shape and direction.

But Dr. Campbell, himself second generation Irish, wanted to look below the surface of pop success and explore how the complexities of being ‘second generation’ were expressed through music and in doing so he gave us a fresh insight into the challenges and opportunities faced by the second generation (of whatever nationality).

He chose three bands of the 1980’s (Dexys Midnight Runners, The Pogues and The Smiths) and through interviews with individuals in the bands - Keith Rowland (Dexys),Shane MacGowan and Cait O'Riordan (the Pogues) and Johnny Marr (The Smiths) - and wider research he showed us how these second generation Irish musicians used the duality of their cultural heritage as a creative driving force.

He chose 1980’s bands because, for him, this was the time when the children of the Irish immigrants of the 50’s and 60’s came of age. It was also a time when relationships between the UK and Ireland were strained because of the ‘troubles’ and it was the era of the ‘thick Paddy’ jokes.

These jokes rankled with many Irish people and Keith Rowland (Dexys Midnight Runners) hit back at them in Dance Stance where the chorus references great Irish writers: Oscar Wilde, Brendan Beehan, Sean O’Casey, George Bernard Shaw, Samuel Beckett, Gene O’Neil, Edna O’Brien, Laurence Stern. Rowland said ‘Irish jokes make me sick’, I wanted ‘to show the other side of being Irish’ and to ‘correct the misunderstanding’. He wanted to address the British fans and said that it gave him great pleasure when he heard a young English student singing the chorus of Dance Stance to herself while walking through campus.

In another song, The Waltz, Rowland is more direct with the final line ‘Here is a protest’ being repeated. This song was originally called Elizabeth Wimpole and Katherine Ní Houlihan to point up the English v Irish nature of its subject matter but was renamed The Waltz because Rowlands was afraid of the reception the original would get – although whether this was from the English or Irish community was not clear.

In a sense Rowlands tried to mediate between cultures whereas The Pogues, in contrast, tried to evoke the experience of being London Irish. ‘The Pogues were the first people who helped define what you could be as a second generation Irish person in this country’ (Martin Mc Donagh). Their songs were very different from the songs of sentimental longing favoured by the first generation. They evoke the excitement of being here a sort of ‘love for the oppressor’ (Philip Chevron, guitarist with the Pogues) although Shane McGownan would deny this – he has moved from accepting the label London-Irish to calling himself Irish. However this love of London and rejection of sentimentality is demonstrated in Transmetropolitan which starts with a gentle traditional-music style introduction and then breaks into a fast aggressive, tour of London. The Pogues’ imagination was focussed on London, not Ireland and their musical style reconciled punk with traditional Irish music.

The Smiths launched in Manchester at the same time as the Pogues in London. Their experience of being second generation is encapsulated in the following quotes: ‘I’m one of us on both sides’ Morrisey, ‘I’m Mancunian-Irish’ Johnny Marr. Marr spoke to Dr. Campbell of the schizophrenic experience of having parents who were excited to be in England (the land of opportunity) but who ran a home immersed in Irishness where you sleep and swim in Irish life. Marr is repulsed by ‘...bullshit Irish romanticism’ – ‘The Smiths wanted to evoke the feeling but not the sound of the Irish in 1960s Manchester.

This ambivalence of melancholy and vibrancy is reflected in The Smiths songs e.g. Back to the Old House – I want to be here but I long to be there and Please Please Please Let Me Get What I Want – originally called The Irish Waltz with the word Erin printed in the run-off groove. Morrisey’s lyrics – ‘When you walk without ease/on these streets where you were raised’ also express this ambivalence and lack of belonging.

Dr. Campbell showed that ambivalence ‘not quite the definite article ... more the floating article’ (Marr?) can be a well-spring of creativity. As McDonagh says ‘... the ambiguities are more interesting than choosing a strict path and following it’

During the lively Q&A session that followed - the discussion ranged from the extremes of nationalism to the policy of the Church in the 1960s/70s to educate second generation Irish children as ‘English Catholics’ - it was clear that Dr. Campbell had touched the sensibilities of his full-house audience many of whom were, like myself, ‘dwellers on the threshold’ in terms of being second (or even third or fourth) generation Irish. 

Dr Sean Campbell is Reader in Media and culture at Anglia Ruskin in Cambridge and author of 'Irish Blood, English Heart': Second-Generation Irish Musicians in England (Cork University Press, 2011).

Interview with Roger McGough

Read Chris Bond's Yorkshire Post interview with our guest, Roger McGough, here - http://bit.ly/Z69Vno

Yarnsmith - bring the kids

Two sonnet sequences on love

Listen to George Szirtes here.

Hear him again in HEART Café on the evening of Friday 15 March.

Kay Mellor at the New Headingley Club

We're all looking forward to Saturday 23 March at 3pm!

This appeared recently in the Bradford Telegraph and Argus:

http://www.thetelegraphandargus.co.uk/news/10210078.New_Kay_Mellor_TV_drama_filmed_in_Bradford/?ref=twtrec

Pablo Neruda's body to be exhumed

A Chilean judge has ordered that the remains of poet and Nobel laureate Pablo Neruda should be exhumed in an investigation into whether he died of cancer as commonly believed or was killed by agents serving Augusto Pinochet. The exhumation was announced by the foundation that manages his literary legacy. The leftist poet, who died twelve days after the 1973 military coup that ousted socialist president Salvador Allende and brought General Augusto Pinochet to power, was long believed to have died of prostate cancer, but officials in 2011 started looking into the possibility he was poisoned by agents of the Pinochet regime, as claimed by Neruda's driver and aide. Neruda is best known for his love poems as well as his Canto General - an epic poem about South America's history and its people. 

This story will no doubt be of great interest for those who were at the special showing of Il Postino at the Cottage Road Cinema almost a year ago, which is about how the poet was forced into exile in Italy. Read the review here: http://headingleylitfest.blogspot.co.uk/search?q=neruda

Wartime Hospital at Beckett's Park

UPDATE - website for published book Stories from the War Hospital is at www.firstworldwarhospital.co.uk

Thanks to all those who have been in touch offering (and requesting) information. We are now realising that a separate website for our project on the 2nd Northern General Hospital at Beckett's Park during the Great War 1914 - 1918 would be a good idea, so one should appear online in the next couple of weeks, if all goes well. The URL will be put on the blog. The original press release  from when we started can be found if you simply scroll down a little.

There are so many names of people who were there, particularly members of the RAMC (Royal Army Medical Corps). We are hoping that there are plenty of searchers trawling the web for information on their ancestor, who might have been a nurse, or a wounded soldier, or...  so if we put plenty of names online, along with a few photos, we'll get results.

In the meantime, here are just a couple of photos which might bring results:

1) The cigarette case. An articial limb race so many years before the Paralympics! Do you know anything about either Douglas Longmate or CQMS (Company Quartermaster Sergeant) G W Browning? Below is a photo of an engraved silver cigarette case sent to us by a retired antiques dealer who wants to give it to any descendants we find:

2) The Irish Nurse. The granddaughter of a Red Cross Nurse who served at Beckett's Park between 7 August 1917 and 31 March 1919 sent us this photo from Ireland. It is of Mary (Polly) Dunne. She had two sisters, Kitty and Josephine, all of whom came from a small rural community and trained in England (St Alban's) as nurses. Do you know anything about nurses from Ireland in the Great War generally?

Contact us by email at headingleyhospital@gmail.com

And thanks for the feature in the Yorkshire Post, Chris Bond - 

http://www.yorkshirepost.co.uk/news/features/horror-humour-and-humanity-the-untold-stories-of-a-hospital-in-wartime-1-5383600

Congratulations to Sharon Olds

Congratulations to Sharon Olds, who was awarded the £15,000 prize for her collection, Stag's Leap, at the T S Eliot Prize Ceremony at the Royal Festival Hall in London a few days ago. She was shortlisted before - in 2009. Two thousand poetry enthusiasts were in the audience.

 Poet Laureate and Chair of the Judges, Carol Ann Duffy, said: "It was a really strong shortlist, with so much talent and grace, and it was particularly strong in women. We were particularly pleased to have six fantastic books by women." Carcanet is delighted that two of its most long-standing authors were shortlisted among such talented writers. See the Carcanet blog here.

LitFest gets Co-operative support

On Tuesday 15 January, Sheila Chapman, Chair of Headingley LitFest committee, accompanied by Sally Bavage, LitFest Fundraiser, was pleased and proud to accept a cheque from local Co-operative Community Fund representatives Jean and Ken Martin.  The money, which comes from members’ donations of all or part of their share of the profits, has been voted to us to support our first Youth Fringe day, on Saturday 29 June at the Heart Centre in Headingley.

Taking receipt of the cheque at our local friendly Co-op store on Cardigan Road,  Sheila acknowledged the opportunity this will give LitFest to pilot activities for young people in our community, with the programme decided upon by young people themselves.  Watch out for more details of the programme in the coming weeks.

Roger McGough at Headingley LitFest

The Wartime Hospital at Beckett's Park

UPDATE - website for published book - www.firstworldwarhospital.co.uk

Headingley LitFest has been awarded a substantial grant by the Heritage Lottery Fund for a project in 2013/2014 based on the military hospital which was at Beckett’s Park, Headingley, during the First World War.

The project will come to a climax in time for the seventh annual LitFest in March 2014 with the production of an illustrated publication and a dramatic performance based on its contents.

On Your Marks - audience responses

Here's the feedback for the event on 27 November:

Written comments after performance:

I never realised that sport could be so exciting! The young dancers in the section ‘Dancing on Together’ were an explosion of energy that took my breath away.

I also enjoyed the presentation by Palm where poetry and prose was sensitively presented, sometimes giving food for thought with a new take on sporting activity.

Really enjoyed this evening. Quality performances but with a touch of the personal too.

Fantastic. More please.

Excellent  well done everyone.

Great for its sustained intensity!

Very good and impressive performances by the group.

Enjoyed most of it –especially the choreographed movement.

Really, Really Really uplifting - very entertaining!

A great evening’s entertainment!

What an evening! I didn’t think anything sporty could be that entertaining.

Great level of performances and humour.

A grippingly entertaining performance- each different part was well-rehearsed, thoughtful and full of imagination.

Superb.

Very entertaining if a little loud.

A very enjoyable varied programme. Not a dull moment.

Many thanks to all those who have worked for this absolutely wonderful event.  Great work! Keep it up.

An excellent evening - superb performance by all. Can we have more of these events please? Well done to all organisers.

What an entertaining and interesting evening.

Comments by email:

Just wanted to say how much I enjoyed last night’s eclectic and very entertaining programme.                         I think I experienced nearly every emotion: which has to be a good test of an evening’s entertainment.

The Phoenix Dance piece was beautifully choreographed and Leeds Met MA Performance students’ performance was witty and clever.  A great evening.

Really good, high quality performances from all the performers.

Letter in Yorkshire Evening Post  30 November:

  

Dear Sir,

The great thing about Leeds is that it produces quality. Leeds United scored once on Tuesday evening November 27^th at Elland Road but also a second time at St Chad’s Parish Hall in Headingley where nine young dancers from Phoenix Dance Theatre wearing Leeds United shirts gave a performance of ‘Score’ that would have made Neil Warnock proud. Along with their colleagues spirited performance of ‘Dancing with Rhinos’ the evening of sport and art with the title ‘On Your Marks’ got off to a rousing start. From the young to the slightly more mature we were royally entertained by Palm Ensemble, students and staff from the performing arts programme of Leeds Metropolitan University whose mixture of wit, poetry and song and professionalism has been recognised at festivals across Europe. There were also guest singers, John Kilburn, Maria Sandle and Phil Widger a local folk singer whose rendition of his own clever amusing work must surely require wider recognition. St. Chad would have been proud.

 I suspect so was Doug Sandle who had put so much effort not only into this event but also the one day conference on sport in art called Field of Vision at Headingley Carnegie Stadium. Accompanying that event is a splendid exhibition of ceramic sculptures of footballers, rugby players and athletes by Mandy Long displayed in the stadium café until December 6^th. Yorkshire has so much to be proud of in this Olympic Year. I think I will have to pop down to the café to see if I can find an appropriate memento.

Yours sincerely

Jeffrey Sherwin (Dr)

Flamenco in Mint Café

Owner Marcos, who can be held responsible for all the superb food (try the Brazilian coxinhas) in Mint Café, says that drop-in poets will be welcome at the Flamenco Evening on Thursday 22 November. Just see him first if you want to read. It starts at 8.30pm.

Entry is £5, with a further £5 for the buffet. The four strong group is Flamenco Diez - guitarist, box drummer, singer and dancer.

For those new to Headingley, Mint Café is near the end of the row on North Lane, just a few yards further on from the Natural Food Shop.

Mimika - comments from the audience

All of the audience questionnaires collected after the Mimika performances at HEART last Saturday contained positive comments - and several drawings. Here are ten of them, and a penguin by Lizzie.

I liked it wen the monkey tried to steel the egg. Elsie

Wonderful! Really creative & moving. Loved the sound, the landscapes, the puppets and really special show Spellbinding Beautiful puppets.  Barba

Terrific show. It contained all the elements of theatre – magic, puppetry, a sense of wonder. Great stuff. Bill

A truly wonderful show bound to entertain & educate. As a model maker in another field I can truly appreciate the use of easily obtainable and inexpensive materials to make things. The thought that must have gone to put on this show, demonstrates  two very talented people Graham

Great we enjoyed it very much. My 2½ daughter liked the toucan best. “And the monkey and the snow falling down. ” “And the snake.” Ted

I liked the animals and the big tent especially the flamingo. Ella

Thankyou  for making this accessible to a local audience. It is stunning! Bravo Jenny & Bill. Wonderful light, movement, sound. Simply amazing Maggie

Please do have them again they are wonderful and great for any ages! Shirley

A magical show! Really absorbing for children and adults. Lovely. Helen

It was fantastic Erin age 8

Spellbound by Mimika Children's Theatre

Sally Bavage writes:

Son et lumière in a tent erected in the HEART Centre, Headingley

Speechless!  Not just the mixed audience of adults and young children but the show itself.  A puppet show like no other, Mimika Theatre is a locally-based group that takes its audience on a worldwide trip from the desert to the rainforest to the South Pole. Not bad in an hour. The welcoming reassurance of Bill and Jenny, who have crafted a fabulous set of animals to accompany us on our travels, created a rising sense of anticipation before we set off - into the tent with mood music and lighting to help young and old alike suspend disbelief.  And this was after showing the younger members of the audience the scary snake fashioned from a vacuum cleaner hose and the snapping crocodile model head to allay any fears.

We set off to the desert to see a baby bird hatch, menaced by a swooping raptor over the audience. Looking up with rapt faces, open mouths, the children – and the adults – were completely absorbed.  Laughter at the antics of the meerkats, alarm at the scorpion, edgy absorption in the creatures that slithered, bit and met their fate before us.

‘Caws’ and effect – the scene and the soundtrack gave way to bird calls amongst the reflections from a tropical rainforest.  How delightful to see children interested in tweeting, not Tweeting.  We listened to howls and growls, buzzing and snarling, with music and monkey business helping to create the story in each of our heads. 

We then dived underwater to observe anemones wave and fish twirl to a Japanese-style soundtrack that bubbled along.  A jellyfish swam by and clownfish came out to play over our heads, along with seahorses, sea snakes and a turtle.  The audience was completely immersed itself in this watery world.

Within thirty seconds the scene iced up, snow was falling and we were watching as a penguin hatched its tiny baby from a carefully nestled egg, to oohs and aahs of sympathy and delight.  There was then a seal of approval for the audience from the watching mammal which popped up.  The End was nigh, but not quite yet.

Next came a puppet show – and tell.  Bill and Jenny allowed the audience members to choose their favourite puppets and showed how they are made and work. Lollipops and marbles, colanders and string have never looked so inventive, even on Blue Peter.  Especially the meerkats – simples!

Entitled ‘Spellbound in a tent’ -  it WAS magic!  Young people watching and enjoying an older form of artistic entertainment, taken on a journey before and behind their eyes.

I wonder how many of them will be thinking up stories about the puppets and their journeys over the coming days?

After the performance, members of the audience were invited to write down their thoughts on the LitFest's assessment forms.

Geoffrey Hill returns to Leeds University

Stringent and Astringent

Richard Wilcocks writes:

Sir Geoffrey Hill, who was elected Professor of Poetry at the University of Oxford in June 2010, returned to the University of Leeds, where he taught from 1954 to 1980 on Tuesday 16 October, to read from the work of himself and others. Organised by the University Poetry Centre, it marked two important occasions – his eightieth birthday and the Library’s acquisition of his archive. It was, as promised, a very special event.

Various people from the LitFest committee were there (Sir Geoffrey used to live in Headingley), along with most of the university English Department, undergraduates, postgraduates, poets, family and many others, to listen to a man who, according to one published anecdote, once strode backwards and forwards in front of students in this same Rupert Beckett Lecture Theatre, dressed in black and sweating. He told us that, as he sat there, sweating slightly. I remember him from my time as the only tutor who wore jeans, and his habit of savouring with attendant long pauses particular words from our contributions.

This is not a full account, but a series of glimpses and snatches: it seemed inappropriate to scribble more than a page of notes, and few did so, because this was not a lecture, and not just a poetry reading. After an elegantly concise introduction from Professor John Whale, Head of the School of English, he began with his own anecdotes, about how he had arrived in Leeds as a callow youth (“I was pretty awful”), and about Bonamy Dobrée, who was the Professor of English Literature for a year after his arrival. Dobrée liked to keep a balance in the department, which at that time contained both the Marxist Arnold Kettle and Wilson Knight with his “idiosyncratic mysticism”. He talked about his friendships with the poets Tony Harrison and Ken Smith, when they were students.

Poetry readings, he told us, are not just about the poet who is reading. After mentioning that it would have been better if we could all have seen the words in front of us, or perhaps projected on the screen behind him, he devoted at least the first half to the works of other poets, most of whom are represented in Oscar Williams’s A Little Treasury of Modern Poetry (1946), which he carried in his teenage years. Gerard Hopkins (he omitted the Manley) was first, followed by D.H. Lawrence (Bavarian Gentians, full of flowing lines and repetitions, mesmerizing read Hill’s way), T.S. Eliot and Ezra Pound (Pisan Cantos).

"Ezra Pound is incomparable,” he said. “He was the great life-giver to poetry in English in the twentieth century.”  He brought in the composer Arnold Schoenberg as analogous. “He was stringent and astringent… after so much dominance by Wagner, by Brahms, by the German Romantics, he gave us Pierrot Lunaire.” He enlarged on Ezra Pound: “…this man could be so enriching… and yet so vicious in his politics…The Pisan Cantos are a most extraordinary achievement, written when Pound was held in appalling conditions by his fellow Americans… his mind was filled with the healing power of poetry.”

Hill has a way of reading often described as ‘sonorous’, which is not quite the right word. He has a singer’s soul, his style distantly related to Sprechstimme, which was prescribed for Pierrot Lunaire. He is, incidentally, an Honorary Patron of Leeds Festival Chorus.

He read beautifully his translation of Eugenio Montale’s La Bufera, which dates from the middle of the last World War, but he does not describe it as a translation: his version, entitled The Storm, is, in his words, “after Eugenio Montale”. It is, in fact, notably close to the original (better, it has been mooted) and is a homage to an admired poet who has attracted his attention for some years, whose “muted discords” make him a kindred spirit.

He read from his own fairly recent work.  Ars, in memory of Ken Smith, which appears in Without Title, was particularly poignant, partly because several in the audience had known Ken, who was co-editor of Stand magazine, which continues. Improvisation for Jimi Hendrix was not poignant, almost funny. It resulted from an online article in which he thought he was being compared to the guitarist, resulting in his buying a number of CDs, which ended up being flipped to students in an American lecture hall. ‘Lysergic’, we were told, is fake Greek.

“There was a time,” he said in the last five minutes, “when I could wait twenty years for a phrase to find its right place, but I can’t wait that long any more.”

Most of the appreciative and, I am sure, affectionate audience walked across afterwards to Special Collections in the Brotherton Library to drink wine and to chat in an oak-panelled room – to the Master, and to each other.

Comments:

'Hill's work will never be fashionable but it is a corpus of such passionate seriousness and ethical thought, its every phrase written with a consciousness of the weight of history and language, that it is hard to imagine it ever being ignored.' - Robert Potts (Guardian 2002)

'Geoffrey Hill is the central poet-prophet of our augmenting darkness, and inherits the authority of the visionaries from Dante and Blake on to D.H. Lawrence' - critic Harold Bloom 

'Hill embodies his lacerating humour in the person of a sad clown, performer and temporiser, trying to bring together the multiple elements in a dispersed identity: "I'm to show beholden." And parts of speech, too, play many roles, like the German word traurig that recurs. The clown's task is less to juggle words than to catch the one word that his many meanings share.' – Michael Schmidt, reviewing Without Title (Independent 2006)

'But there are good reasons why some intelligent people find little of value in the sentimental consensus of modern poetry; Hill's writing, which speaks to those disputed conditions in which civil and spiritual, as well as personal lives are actually led, offers readers something more rewarding than the usual panaceas.' – Peter McDonald (Guardian 2007)

'Let's take difficulty first. We are difficult. Human beings are difficult. We're difficult to ourselves, we're difficult to each other. And we are mysteries to ourselves, we are mysteries to each other. One encounters in any ordinary day far more real difficulty than one confronts in the most "intellectual" piece of work. Why is it believed that poetry, prose, painting, music should be less than we are?' – Geoffrey Hill (Paris Review 2000)

Inspired by an old cornet

In the run-up to the LitFest in March, members of the local OWLS (Older Wiser Locals) group worked with children from Year 5 at Weetwood Primary School to produce poems inspired by an old cornet. The different generations each brought their own experiences to the project, ably assisted by poet James Nash. Special thanks are due to Year 5 teacher Judith Brockbank and to Lee Ingham and the OWLS.

A booklet of the poems is now up in Headingley Library. These photos are of a display which is currently near the main entrance of the HEART Centre in Bennett Road.

The Cage by Peter Spafford

LitFest veteran and Headingley resident Peter Spafford has based his latest play on a book by Dan Billany and David Dowie - which exists only because of an Italian farmer who looked after the manuscripts (in exercise books) during the Second World War, after an escape from a camp.

As most readers of this blog are unlikely to be able to attend the performance in Goole, there will be another one on Sunday 11 November at 2pm in the Quaker Meeting House on Woodhouse Lane.

Blue plaque for J R R Tolkien - more photos

A few more photos taken at Monday's unveiling ceremony outside 2 Darnley Road in West Park, Leeds...

Unveiled - Tolkien's Blue Plaque

In a ceremony organised by Leeds Civic Trust, the plaque for one of our area’s most famous – and most beloved – literary residents was revealed on Monday morning, 1 October, on the red brick wall of 2 Darnley Road. It was unveiled by Dr Kersten Hall, graduate of St Anne’s College, Oxford and Visiting Fellow to the Faculty of Arts at the University of Leeds. 

The event followed campaigning by the Tolkien Society and its members. Here is part of the Society’s informative statement for the event:

J.R.R. Tolkien, graduate of Exeter College, Oxford, was Reader in English language at the University of Leeds, his family moved to Leeds residing briefly at 5 Holly Bank, Headingley and then leasing a house in St Mark’s Terrace. In 1924 Tolkien bought the semi-detached property in Darnley Road. He went on to be made Professor of the English Language at the university. The family lived there for over a year before Tolkien’s election to the Rawlinson and Bosworth chair of Anglo-Saxon saw them return to Oxford in 1926. 






During his time at the University of Leeds Tolkien was instrumental in shaping the English Language syllabus at the university; some aspects of this were still present sixty years later. He also worked with E.V. Gordon to produce an edition of the Middle English poem Sir Gawain and the Green Knight, which was published in 1925.

Members of Headingley LitFest’s organizing committee were there, as might be expected, accompanying others in the crowd to the nearby Stables Bar for a reception. Speakers included Rory McTurk, Emeritus Professor of Icelandic Studies at the University of Leeds, who contributed to the LitFest programme in 2009. Included in his brief talk were references to a ‘completed’ translation by Tolkien of the story of Sigurd and Brynhildr - and also a Tolkien version of Beowulf, which might just be released for publication next year. 

In only-too-brief conversations with transient friends, it was established that some Tolkien Society members had come up to Leeds from many miles away - for example Dr Lynn Forest Hill, who had travelled from Southampton.

In letters to Allen and Unwin in 1961, the great man emphasized his gratitude for his time in Leeds: “I was devoted to the University of Leeds, which was very good to me, and to its students, whom I left with regret.”

Pictured below: Second Lieutenant J R R Tolkien during the First World War. To qualify as a signals officer, he attended a signals school run by the army's Northern Command at Farnley Park, Otley, which he left in May 1916. He did not see the full intensity of the Battle of the Somme, but he did experience the horror of trench warfare. In November 1916, he was invalided back to England with 'trench fever' and temporarily posted to Hornsea in East Yorkshire. His recovery from this was sporadic and , having relapsed, he was admitted to a Harrogate sanatorium. He also spent time at the Brooklands Officers' Hospital in Hull.  (from the booklet produced by Leeds Civic Trust)

Mimika Children's Theatre Comes Home

Mimika, the internationally acclaimed children’s theatre is to perform in Headingley on Saturday 3 November at the HEART Centre in Bennett Road in four special performances of their show Landscapes, presented by Headingley LitFest as part of our Between the Lines pre-March programme of events. 

This is the first time that Mimika has had a home performance in the city for twenty-five years!

Bill and Jenny, the inspired ‘do everything’ creators and animators of Mimika are really looking forward ‘to coming home’ and sharing their work with their local neighbourhoods. 

While their current show Landscapes has enthralled and enchanted audiences elsewhere in the UK and world wide, for example in London, Dublin, Madrid, Toronto, Singapore and in countries such as Denmark, the USA and recently China, Jenny (pictured, with goose) told us: while travelling around the world and performing to audiences from different cultures is often thrilling and fabulous this chance to show the work to friends, neighbours and the local community will be special.

Landscapes is a wordless theatre presentation set inside a beautiful white calico dome. It is an intimate, gentle and engaging evocation of four areas of the natural world. Audiences travel from the Desert to the Rainforest, from under the Sea to the South Pole. Using ingenuous crafted and designed models, puppets and sets, special lighting effects and an immersive sound track, Mimika take their audiences on a very special colourful and enchanting journey.  The show has been described as by far one of the most mesmerising children’s theatre pieces, (Canada) and as a show that should enchant audiences of any age (USA) with Mimika heralded by Kilkenny Arts Festival (Ireland) as one of the most original theatre companies in Europe.  

Performance times are 10.00am, 11.30am, 1.00pm and 2.30pm.  Adults £4.00, Children (under 16) £2.50. Children under ten should be accompanied by an appropriate  number of adults for groups of five and over. 

Tickets are now on sale at HEART . As each performance is limited to twenty-five persons, you are advised to get yours soon.

More information on Mimika at www.mimikatheatre.com

Linda Marshall at Salvo's

This Sporting Life at the Hyde Park Picture House

At the Hyde Park Picture House last Tuesday (4 September), This Sporting Life revived the feelings in me which I had when I first saw it on the big screen many years ago - it is stunningly powerful, with superb acting from just about all the cast. It's dour but brilliant. In spite of the odd, hybrid accent, which drifts into his native Irish at times, Richard Harris puts his heart, soul and athletic body into the part of Frank Machin, and Rachel Roberts is so impressive as Margaret Hammond! As with all classic films, you notice things you missed before - I recognised places I know now but didn't at the time of the first showing, I appreciated the innovative camera work and I took pleasure in recognising so many actors who made it after the first appearance of the film - William Hartnell (Doctor Who), Frank Windsor as a dentist, not a policeman, Leonard Rossiter as a sports journalist, not Rigsby, and Arthur Lowe as Charles Slomer, not Captain Mannering. 

Alan Badel (The Count of Monte Cristo, TV series in 1964) was truly aristocratic as Gerald Weaver, the moneyed sponsor in a camelhair coat, and he contributed strongly to the class element in the film - he's from another world completely to the grim one inhabited by Frank Machin. The match scenes were convincing, but the brutality was really played up - to go with Machin's ruthlessness: I would have enjoyed a couple more straightforward tries without players getting punched up, but then the film is pretty long already, and more scenes on the pitch would probably stretch it too much.

This showing will be, I hope, the beginning of a productive collaboration between sports and the arts in Leeds.

Meet The Beats

A terrific jazz group - Des The Miner - will be performing on Wednesday 5 September at the Mint Café, which is on North Lane, Headingley, as part of an evening with a focus on beat poets like Allen Ginsberg, whose 1965 poem ‘King of the May’, written just after he was expelled from Czechoslovakia, will be played from a very rare recording made at Betterbooks in London. 

Also performing with his keyboard will be the inimitable Ted Hockin and one or two surprise guests.  

There's no dress code, but if you own a beret...       

And make sure you sample the Lebanese buffet.

Grow Your Tenner

Here's something that LitFest supporters should be interested in!  

Localgiving.com announces £500k Grow Your Tenner campaign We are pleased to announce that our £500,000 Grow Your Tenner campaign will begin at 10am Tuesday 25th September to celebrate the launch of the new Localgiving.com monthly donations feature! From 25th September Localgiving.com will encourage new supporters to make one-time and/or ongoing monthly donations on the website by matching up to £10 per donation. We’ve got a pot of £500,000 to match donations, and we will match up to £10 per donation until the pot is gone, raising awareness and funds for local charities and community groups across England. So when a supporter gives £10, we’ll double it to £20! And even better- when a supporter signs up to donate £10/month to a local charity, we’ll match the first three months! Our new monthly donations feature will enable supporters to give automatically and regularly to local charities through online Direct Debit. Charities must have a paid subscription to be eligible to receive both one-time and monthly matched donations. Our records show that your charity is currently within your three month free trial. Localgiving.com fundraising facts In the last 12 months, nearly £2.5 million has been raised on Localgiving.com Over 2,300 charities are currently using Localgiving.com to fundraise online Localgiving.com is the UK’s leading website for local charities and community groups We automatically process Gift Aid for charities and community groups Your charity can gain access to new supporters and engage with them directly Charities receive matched donations through Localgiving.com promotions like with our upcoming Grow Your Tenner campaign Click here to learn more about the benefits of Localgiving.com For general questions about fundraising with Localgiving.com, please contact us at help@localgiving.com Best wishes, The Localgiving.com Team “Localgiving.com gives our charity a personal, high level of support and has raised our profile in the community.  Localgiving.com specifically supports those smaller, local charities that might otherwise slip under the radar, which is just great!”  Josie Hill, One25 Click here to view One25’s Localgiving.com webpage

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Poetry Parnassus continues

The Poetry Parnassus continues. It aims to feature poets from all two hundred and four of the Olympic nations, and is curated by Simon Armitage. It's the largest-ever poetry event in Britain.

Read this Carcanet blog entry by Henry King to catch a flavour.

This Sporting Life at The Hyde Park Picture House